{"id":740,"date":"2016-12-30T21:55:01","date_gmt":"2016-12-30T21:55:01","guid":{"rendered":"http:\/\/dances.callerlab.org\/?page_id=740"},"modified":"2021-10-31T20:25:30","modified_gmt":"2021-10-31T20:25:30","slug":"cd-journal-links","status":"publish","type":"page","link":"https:\/\/dances.callerlab.org\/?page_id=740","title":{"rendered":"CD Journal Links"},"content":{"rendered":"

CD Journal Contents and Links (updated May 2019)<\/p>\n

This is a “sortable” table. Click on the title of the column to sort the contents of the column in ascending or descending order.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Issue Date<\/th>\nCircles<\/th>\nContras<\/th>\nSquares<\/th>\nOther<\/th>\nArticles<\/th>\n<\/tr>\n<\/thead>\n
1992\/08<\/a><\/td>\nI Don’t Know Why<\/td>\nTunnel Contra<\/td>\nSinger Figures<\/td>\nAlternate Trios<\/td>\nCD Program<\/td>\n<\/tr>\n
1992\/08<\/a><\/td>\nPhrase Craze<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1992\/11<\/a><\/td>\nC.J. Mixer<\/td>\nSlaunch to Donegal<\/td>\nGordo’s Quadrille<\/td>\nAmos Moses Line<\/td>\nWalk Through<\/td>\n<\/tr>\n
1992\/11<\/a><\/td>\nPhrase Craze<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1993\/02<\/a><\/td>\nBunny Hop<\/td>\nConstant Contra<\/td>\nWho’s On First<\/td>\n<\/td>\nGeneralist<\/td>\n<\/tr>\n
1993\/02<\/a><\/td>\nHokey Pokey<\/td>\nCaribean Contra<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1993\/05<\/a><\/td>\n<\/td>\nDC Trainer<\/td>\nKen Kernen Ideas<\/td>\nTheil’s Trio<\/td>\nCDP News<\/td>\n<\/tr>\n
1993\/08<\/a><\/td>\nJiffy Mixer<\/td>\nOXO Reel<\/td>\nRollaway Ideas<\/td>\nAlley Cat Line<\/td>\n<\/td>\n<\/tr>\n
1993\/08<\/a><\/td>\nKiwi Ring<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1993\/11<\/a><\/td>\nMolly Mixer<\/td>\nHomossasa Hornpipe<\/td>\nDiagonal Ideas<\/td>\n<\/td>\nSicilians<\/td>\n<\/tr>\n
1994\/01<\/a><\/td>\n<\/td>\n(Setting Up)<\/td>\nDosado & Face Sides<\/td>\nDo-Ci-Dizzy Trio<\/td>\nDifferent Strokes<\/td>\n<\/tr>\n
1994\/01<\/a><\/td>\n<\/td>\n<\/td>\nEverywhere You Go<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1994\/05<\/a><\/td>\nTen O’Clock Mixer<\/td>\n<\/td>\nFlo Cadwell Ideas<\/td>\nSan Antonio Stroll<\/td>\n<\/td>\n<\/tr>\n
1994\/08<\/a><\/td>\n<\/td>\nAlynn’s Mountain Reel<\/td>\nStar Promenade<\/td>\n<\/td>\nBob Osgood Comments<\/td>\n<\/tr>\n
1994\/08<\/a><\/td>\n<\/td>\nClopton Bridge<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1994\/12<\/a><\/td>\nDing Dong Daddy<\/td>\nMarket Lass<\/td>\nTraditional Ideas<\/td>\nT.B.C Trio<\/td>\nThemes<\/td>\n<\/tr>\n
1995\/03<\/a><\/td>\nB.C. Swing<\/td>\n<\/td>\nStars & Stripes Quadrille<\/td>\nRocky Mtn. Scramble<\/td>\n<\/td>\n<\/tr>\n
1995\/03<\/a><\/td>\n<\/td>\n<\/td>\nOcean Sand<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1995\/06<\/a><\/td>\nBlue Bird<\/td>\nA Nice Combination<\/td>\nRotating Square<\/td>\n<\/td>\nDFBP<\/td>\n<\/tr>\n
1995\/06<\/a><\/td>\n<\/td>\nHello My Baby<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1995\/09<\/a><\/td>\n<\/td>\nSkontra<\/td>\nArkansas Traveler<\/td>\n<\/td>\nTeaching<\/td>\n<\/tr>\n
1995\/09<\/a><\/td>\n<\/td>\nKingston Flyer<\/td>\nFirst Night Quadrille<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1996\/01<\/a><\/td>\nWhite Silver Sands<\/td>\nSimplicity Contra<\/td>\nDiagonal Ladies Chain<\/td>\nStay Young Solo<\/td>\n<\/td>\n<\/tr>\n
1996\/04<\/a><\/td>\nCotton Eyed Joe<\/td>\nThe Wanderer<\/td>\nBob Ruff Singers<\/td>\nToots’ Trio<\/td>\nVideos<\/td>\n<\/tr>\n
1996\/07<\/a><\/td>\nPumpkin Mixer<\/td>\n<\/td>\nMerry Mix Up<\/td>\nRebecca’s Roundabout<\/td>\nTeam Dancing<\/td>\n<\/tr>\n
1996\/07<\/a><\/td>\n<\/td>\n<\/td>\nStan Burdick Singers<\/td>\nBossa Nova Solo<\/td>\n<\/td>\n<\/tr>\n
1996\/12<\/a><\/td>\n<\/td>\nZig Zag Rotation<\/td>\nDick Leger Ideas<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1996\/12<\/a><\/td>\n<\/td>\nScottish Man ‘O’ War<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1997\/02<\/a><\/td>\nRed Wing Mixer<\/td>\n<\/td>\nAs Couples<\/td>\n<\/td>\nTricks Of Trade<\/td>\n<\/tr>\n
1997\/02<\/a><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\nChair Dancing<\/td>\n<\/tr>\n
1997\/11<\/a><\/td>\n<\/td>\nPaul Moore Comments<\/td>\nCarl Brandt Ideas<\/td>\n<\/td>\nFather-Daughter<\/td>\n<\/tr>\n
1997\/11<\/a><\/td>\n<\/td>\nONS Party Mescolanza<\/td>\n<\/td>\nReggae Cowboy Line<\/td>\n<\/td>\n<\/tr>\n
1998\/02<\/a><\/td>\n<\/td>\nArm Turn Contra<\/td>\n3\/4 Movements<\/td>\nJazak’s 12-Count Jive<\/td>\nVariety<\/td>\n<\/tr>\n
1998\/02<\/a><\/td>\n<\/td>\n<\/td>\n<\/td>\nNew York Line<\/td>\n<\/td>\n<\/tr>\n
1998\/08<\/a><\/td>\n<\/td>\n<\/td>\nSix Pass Thru<\/td>\nTexas Shootout Trio<\/td>\n<\/td>\n<\/tr>\n
1999\/02<\/a><\/td>\n<\/td>\n<\/td>\nAntwerp Arm Turns<\/td>\nTriolet<\/td>\nLas Vegas Workshop<\/td>\n<\/tr>\n
1999\/08<\/a><\/td>\nBlue Bird<\/td>\n<\/td>\nGordo’s Quadrille<\/td>\n<\/td>\nJack Murtha<\/td>\n<\/tr>\n
1999\/12<\/a><\/td>\n10 O’Clock Mixer<\/td>\n<\/td>\nDick Leger Ideas<\/td>\n<\/td>\nGib Gilbert<\/td>\n<\/tr>\n
2000\/05<\/a><\/td>\nK-3 Circles<\/td>\n<\/td>\n<\/td>\n<\/td>\nDon Armstrong<\/td>\n<\/tr>\n
2000\/11<\/a><\/td>\n<\/td>\nGeneric Contra<\/td>\nGenderless<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2001\/02<\/a><\/td>\n<\/td>\nNo Touch Contra<\/td>\n<\/td>\n<\/td>\nSt. Louis Workshop<\/td>\n<\/tr>\n
2001\/05<\/a><\/td>\n<\/td>\nA Penny Saved<\/td>\nOpening Singers<\/td>\n<\/td>\nStew’s Folly<\/td>\n<\/tr>\n
2001\/12<\/a><\/td>\n<\/td>\n<\/td>\nBeginner Singers<\/td>\nBusted Line<\/td>\nOpen Dance Teaching<\/td>\n<\/tr>\n
2002\/02<\/a><\/td>\nFirst Big Circle<\/td>\n<\/td>\n<\/td>\n<\/td>\nRichmond Workshop<\/td>\n<\/tr>\n
2002\/06<\/a><\/td>\nBubbles Mixer<\/td>\n<\/td>\nFirst Night Quadrille<\/td>\n<\/td>\nNew Generation<\/td>\n<\/tr>\n
2002\/11<\/a><\/td>\nKids Dance<\/td>\nPor Que No<\/td>\nTraditional Squares<\/td>\nKamaile Kick Line<\/td>\nSan Antonio Workshop<\/td>\n<\/tr>\n
2003\/02<\/a><\/td>\nBINGO<\/td>\nKids Contra<\/td>\nGirls Tunnel<\/td>\n<\/td>\nDream Gig<\/td>\n<\/tr>\n
2003\/06<\/a><\/td>\nLariat Circle<\/td>\n<\/td>\n<\/td>\nParty Game<\/td>\n<\/td>\n<\/tr>\n
2003\/11<\/a><\/td>\n<\/td>\n<\/td>\nBob Riggs Ideas<\/td>\nScatter Threesome<\/td>\n<\/td>\n<\/tr>\n
2003\/11<\/a><\/td>\n<\/td>\n<\/td>\nChicken Plucker<\/td>\nTraffic Jam<\/td>\n<\/td>\n<\/tr>\n
2004\/02<\/a><\/td>\n<\/td>\nSiege of Carrick<\/td>\nSally Goodin<\/td>\n<\/td>\nReno Workshop<\/td>\n<\/tr>\n
2004\/02<\/a><\/td>\n<\/td>\nBeginner’s Luck<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2004\/06<\/a><\/td>\n<\/td>\n<\/td>\nJim Mayo Ideas<\/td>\nBaby Likes to Rock It<\/td>\nDance in Schools<\/td>\n<\/tr>\n
2004\/11<\/a><\/td>\nThe Gate Mixer<\/td>\nShelter From Blizzard<\/td>\nGrand Square<\/td>\n<\/td>\nStep Lively<\/td>\n<\/tr>\n
2005\/02<\/a><\/td>\nTennessee Wig Walk<\/td>\nFarmer’s Jig<\/td>\nPush Ole Ma<\/td>\n<\/td>\nKentucky Dance Foundation<\/td>\n<\/tr>\n
2005\/02<\/a><\/td>\n<\/td>\n<\/td>\nGrand Sashay<\/td>\n<\/td>\nCountry Dance Book<\/td>\n<\/tr>\n
2005\/06<\/a><\/td>\nDonna’s Waltz<\/td>\nArt’s Easy Duple<\/td>\nCircle 3\/4<\/td>\nHallelujah! Line<\/td>\nContra History<\/td>\n<\/tr>\n
2005\/11<\/a><\/td>\n<\/td>\nRound About<\/td>\nBunkhouse Reel<\/td>\n<\/td>\nNorthern Junket<\/td>\n<\/tr>\n
2005\/11<\/a><\/td>\nSagebrush Shuffle<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2006\/03<\/a><\/td>\nSwiss Break<\/td>\nBest Friend Sicilian<\/td>\nJennie’s Stars<\/td>\n<\/td>\nBDPLS DVDs<\/td>\n<\/tr>\n
2006\/03<\/a><\/td>\nGood Girl Contra<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2006\/10<\/a><\/td>\nHernando’s Hideway Tango<\/td>\nBarley and Oats<\/td>\nHalf Sashay<\/td>\nDumbarton Drums<\/td>\nChasse & Sashay<\/td>\n<\/tr>\n
2006\/10<\/a><\/td>\n<\/td>\n<\/td>\nGeorge Washington’s Cotillion<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2007\/03<\/a><\/td>\nChildren’s Polka<\/td>\nHonor Among Thieves<\/td>\nOpen the Door<\/td>\nPopcorn Line<\/td>\n<\/td>\n<\/tr>\n
2007\/03<\/a><\/td>\nZippity Sicilian<\/td>\nChase Figure<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2007\/11<\/a><\/td>\nCotton-Eyed Joe<\/td>\nHagall Triplet<\/td>\n2 or 3 Couples<\/td>\nRuby Baby Line<\/td>\n<\/td>\n<\/tr>\n
2008\/11<\/a><\/td>\nHigh Mountain Mixer<\/td>\nWheelbarrow Reel<\/td>\nWheelbarrow Dosado<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2008\/11<\/a><\/td>\n<\/td>\nBaker’s Wife<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2009\/02<\/a><\/td>\n<\/td>\nWaves of Torey<\/td>\nUnusual Figures<\/td>\nFour Corners Waltz<\/td>\n10th BDPLS<\/td>\n<\/tr>\n
2009\/02<\/a><\/td>\n<\/td>\n<\/td>\nBetsy Gotta Singers<\/td>\nSwingin’ Thing<\/td>\n<\/td>\n<\/tr>\n
2009\/12<\/a><\/td>\nCircle and Clap<\/td>\nJefferson’s Reel<\/td>\nSolomon Levi<\/td>\n<\/td>\nTeaching<\/td>\n<\/tr>\n
2009\/12<\/a><\/td>\nFralie’s Frolic<\/td>\nJenny Reel<\/td>\nFrench Eight Idea<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2011\/03<\/a><\/td>\nVogue Mixer<\/td>\nOhio River Contra<\/td>\nCircle Ideas<\/td>\nRattlesnake Trio<\/td>\n<\/td>\n<\/tr>\n
2011\/03<\/a><\/td>\nWild Turkey<\/td>\n<\/td>\nCut Off Six<\/td>\n<\/td>\nLas Vegas BDPLS<\/td>\n<\/tr>\n
2012\/08<\/a><\/td>\nMarmaduke Mixer<\/td>\nBoston Tea Party<\/td>\nSampsonville Quadrille<\/td>\n<\/td>\nWhere to Begin?<\/td>\n<\/tr>\n
2012\/08<\/a><\/td>\nHaystack Mixer<\/td>\n<\/td>\nCrooked Stovepipe<\/td>\n<\/td>\nNew England Dancing Masters<\/td>\n<\/tr>\n
2012\/08<\/a><\/td>\nLancashire Reel Mixer<\/td>\n<\/td>\n<\/td>\n<\/td>\nNashville BDPLS<\/td>\n<\/tr>\n
2012\/12<\/a><\/td>\nSmile Mixer<\/td>\nSanita Hill Circle<\/td>\nHot Time in Old Town<\/td>\nBeginner Polka<\/td>\nBDP Program<\/td>\n<\/tr>\n
2012\/12<\/a><\/td>\n<\/td>\nSpring in Duncan<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2013\/02<\/a><\/td>\nIsland in the Sun<\/td>\nDip and Dive for Jillian<\/td>\nStar Teacher<\/td>\nThree’s Greet Trio<\/td>\nRaleigh BDPLS<\/td>\n<\/tr>\n
2013\/02<\/a><\/td>\n<\/td>\nTo Turn a Phrase<\/td>\nDive For Oyster<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2014\/03<\/a><\/td>\nKiwi Ring<\/td>\nI’m a Star<\/td>\nArkansas Traveler<\/td>\n<\/td>\nReno BDPLS<\/td>\n<\/tr>\n
2014\/03<\/a><\/td>\n<\/td>\nMandolin Contra<\/td>\nGenderless 4 or 6 couples<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2014\/03<\/a><\/td>\n<\/td>\nGeorge & Amber’s Wedding<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2014\/12<\/a><\/td>\nLancash Barn Dance<\/td>\nLevi Jackson Rag<\/td>\nTrail of Lonesome Pine<\/td>\n<\/td>\nLloyd Shaw 50th<\/td>\n<\/tr>\n
2014\/12<\/a><\/td>\n<\/td>\nBroken Sixpence<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2015\/03<\/a><\/td>\n<\/td>\nVirginia Reel<\/td>\nNewfoundland Reel<\/td>\n<\/td>\nMissouri CDLS<\/td>\n<\/tr>\n
2015\/03<\/a><\/td>\n<\/td>\nSir Roger de Coverley<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2015\/12<\/a><\/td>\nGrand March Arches<\/td>\nLoon Mountain Reel<\/td>\nCircular Dip and Dive<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2015\/12<\/a><\/td>\n<\/td>\nOklahoma, OK<\/td>\nRedwing<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2015\/12<\/a><\/td>\n<\/td>\nThe Mariposa<\/td>\nWave the Ocean<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2016\/02<\/a><\/td>\n<\/td>\nThe Duck Dance<\/td>\n<\/td>\nDashing White Sergeant Trio<\/td>\nHey for Three<\/td>\n<\/tr>\n
2016\/02<\/a><\/td>\n<\/td>\n<\/td>\n<\/td>\nPolka Dot & Variations<\/td>\n<\/td>\n<\/tr>\n
2016\/12<\/a><\/td>\nOtto’s Opener<\/td>\nLeaving of Liverpool<\/td>\nBuffalo Gals<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2016\/12<\/a><\/td>\nOtto’s Fancy<\/td>\n<\/td>\nOh Susannah<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2018\/03<\/a><\/td>\nWild, Wild West Mixer<\/td>\nSlide Right With Claps<\/td>\nNinepin<\/td>\nMonkey in the Middle<\/td>\nAlbuquerque CDLS<\/td>\n<\/tr>\n
2018\/03<\/a><\/td>\n<\/td>\n<\/td>\nHeel and Toe Quadrille<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2018\/10<\/a><\/td>\nAlunelul<\/td>\nRunning Set<\/td>\nLittle Log Cabin<\/td>\nThe Prime Minister<\/td>\nFlexibility<\/td>\n<\/tr>\n
2019\/03<\/a><\/td>\nMiserlou (Never on Sunday)<\/td>\n<\/td>\n<\/td>\nCupid Shuffle<\/td>\nOrganizing Parties<\/td>\n<\/tr>\n
2019\/03<\/a><\/td>\nThe Shoemaker<\/td>\nVirginia No Reel<\/td>\n<\/td>\nWindow-Washer<\/td>\nKindergarten<\/td>\n<\/tr>\n
2019\/03<\/a><\/td>\nSerpentine & March<\/td>\n<\/td>\n<\/td>\nEasy Achy Breaky<\/td>\n<\/td>\n<\/tr>\n
2019\/12<\/a><\/td>\n<\/td>\nRiverside Jig<\/td>\nSheehan’s Reel<\/td>\n16 Steps<\/td>\n<\/td>\n<\/tr>\n
2019\/12<\/a><\/td>\n<\/td>\nNo Name Contra<\/td>\nReel Your Partner<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2019\/12<\/a><\/td>\n<\/td>\nShindig in the Barn<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n2019\/12<\/a><\/td>\n<\/td>\nStrip the Willow<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

CD Journal Contents and Links (updated May 2019) This is a “sortable” table. Click on the title of the column to sort the contents of the column in ascending or descending order. Issue Date Circles Contras Squares Other Articles 1992\/08 I Don’t Know Why Tunnel Contra Singer Figures Alternate Trios CD Program 1992\/08 Phrase Craze… <\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-740","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/pages\/740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=740"}],"version-history":[{"count":34,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/pages\/740\/revisions"}],"predecessor-version":[{"id":2566,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/pages\/740\/revisions\/2566"}],"wp:attachment":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}