{"id":317,"date":"2014-04-01T01:27:38","date_gmt":"2014-04-01T01:27:38","guid":{"rendered":"http:\/\/dances.callerlab.org\/?p=317"},"modified":"2021-02-15T21:41:12","modified_gmt":"2021-02-15T21:41:12","slug":"barley-and-oats","status":"publish","type":"post","link":"https:\/\/dances.callerlab.org\/?p=317","title":{"rendered":"Barley and Oats"},"content":{"rendered":"<p><span style=\"font-weight: bold;\">Formation:<\/span>  Contra Lines of 4 or 5 couples with all the gents in the line on the prompter&#8217;s right and all the ladies in the line on the prompter&#8217;s left. For other partner pairings designate them as &#8220;Barley and Oats&#8221; or whatever is appropriate. This may be danced with more couples if an extra set of 8 beats is used each time to allow completion of the Promenade and Arch section. (Six energetic couples might just finish in 64 beats.)<br \/>\n<span style=\"font-weight: bold;\">Music:<\/span>  &#8220;14 Karot&#8221; on Ute UR9, or &#8220;Paddlin&#8217; Madelin Home&#8221; on Blue Star 2455<\/p>\n<p>Download RTF file: <a href=\"http:\/\/dances.callerlab.org\/wp-content\/uploads\/2019\/03\/BarleyOats.rtf\">Barley and Oats<\/a><\/p>\n<p><span style=\"text-decoration: underline; font-weight: bold;\">Prompts:<\/span><br \/>\n<span style=\"font-style: italic;\">Intro or<\/span><br \/>\n<span style=\"font-weight: bold; font-style: italic;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; Everybody Forward and Back;<\/span><br \/>\n<span style=\"font-weight: bold;\">&nbsp; &nbsp; 1-8 &nbsp; &#8211; &#8211; Gents Arch; Ladies Duck Thru and all U-Turn Back;<\/span><br \/>\n<span style=\"font-weight: bold;\">&nbsp; 9-16 &nbsp; &#8211; &#8211; &#8211; -; Everybody Forward and Back;<\/span><br \/>\n<span style=\"font-weight: bold;\">17-24 &nbsp; &#8211; &#8211; Ladies Arch; Gents Duck Thru and all U-Turn Back;<\/span><br \/>\n<span style=\"font-weight: bold;\">25-32 &nbsp; &#8211; &#8211; &#8211; -; Top Couple Sashay to the foot;<\/span><\/p>\n<p><span style=\"font-weight: bold;\">33-40 &nbsp; &#8211; &#8211; &#8211; -; Sashay back to the heat of the set;<\/span><br \/>\n<span style=\"font-weight: bold;\">41-48 &nbsp; &#8211; &#8211; &#8211; -; Promenade Single File to the foot;<\/span><br \/>\n<span style=\"font-weight: bold;\">49-56 &nbsp; &#8211; &#8211; &#8211; -; Actives Arch and others Duck Thru;<\/span><br \/>\n<span style=\"font-weight: bold;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; Everybody Forward and Back;<\/span><\/p>\n<p><span style=\"text-decoration: underline; font-weight: bold;\">Description:<\/span><br \/>\n&nbsp; &nbsp; 1-8 &nbsp; Long lines join hands, all forward 3 and touch, back 3 and touch.<br \/>\n&nbsp; 9-16 &nbsp; The men maintain their handholds along the line &#038; raise their arms to make arches. All walk forward 6 steps as the ladies duck thru the arches passing right sides with their partner. (The lady at the foot should imagine an extra man to make her arch.) Everyone U-Turn Back in 2 beats to end standing where their partner began.<br \/>\n17-24 &nbsp; (Repeat 1-8).<br \/>\n25-32 &nbsp; The ladies maintain their handholds along the line &#038; raise their arms to make arches. All walk forward 6 steps as the men duck thru the arches passing right sides with their partner. (The man at the foot should imagine an extra lady to make his arch.) Everyone U-Turn Back in 2 steps to end standing in their home line.<\/p>\n<p>33-40 &nbsp; The top couple step to the center, join both hands and Sashay to the foot of the set in eight beats &#8211; three quick &#8220;Side, Closes&#8221; and one &#8220;Side, Touch&#8221;.  (Alternatively, for those less agile, strut down the center.)<br \/>\n41-48 &nbsp; The same couple Sashay back to the head of the set. (Using the alternative version, dancers U-Turn Back alone and strut back.)<br \/>\n49-56 &nbsp; The top couple Separate and lead their individual lines in a Single File Promenade down the outside of the set to the foot and then face and join both hands to make an arch. Dancers must move out quickly in order to complete this and the next action in 16 beats.<br \/>\n57-64 &nbsp; All the other dancers Duck Thru the arch in pairs and then follow the original second couple up the set. The second couple becomes the new top couple, the others move up, and the original top couple stays at the foot.<\/p>\n<p><span style=\"font-weight: bold;\">Vocabulary Comment:<\/span> What should we call the move down the center?<br \/>\nThe term &#8220;Sashay&#8221; is usually used as the colloquial alteration of &#8220;Chassee&#8221;.<\/p>\n<p><span style=\"font-weight: bold;\">Choreography by:<\/span>  Ken Kernen<br \/>\n<span style=\"font-weight: bold;\">Source:<\/span>  Printed in <span style=\"font-style: italic;\">CD Journal<\/span>, October 2006 and in <span style=\"font-style: italic;\">Dancing For Busy People<\/span>, page 149<br \/>\n<span style=\"font-weight: bold;\">Usage:<\/span>  This is a nice alternative to the Virginia No-Reel.<\/p>\n<p>This page from <a href=\"http:\/\/dances.callerlab.org\/\">http:\/\/dances.callerlab.org<\/a>  (CALLERLAB Dance Resource)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barley and Oats is a 64-count proper contra for 4-5 couples.  It includes gents arch and the ladies duck through, Sashay, and Promenade Single File and make an arch. <\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,31],"tags":[32,15,24],"class_list":["post-317","post","type-post","status-publish","format-standard","hentry","category-contras","category-proper-line","tag-4-couples","tag-64-count","tag-bdp"],"_links":{"self":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=317"}],"version-history":[{"count":13,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/317\/revisions"}],"predecessor-version":[{"id":2392,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/317\/revisions\/2392"}],"wp:attachment":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}