{"id":460,"date":"2015-03-24T19:00:18","date_gmt":"2015-03-24T19:00:18","guid":{"rendered":"http:\/\/dances.callerlab.org\/?p=460"},"modified":"2021-02-15T22:26:02","modified_gmt":"2021-02-15T22:26:02","slug":"do-ci-dizzy","status":"publish","type":"post","link":"https:\/\/dances.callerlab.org\/?p=460","title":{"rendered":"Do Ci Dizzy"},"content":{"rendered":"<p><span style=\"font-weight: bold;\">Formation:<\/span> Lines of three people facing lines of three people in a wagon spoke formation around the hall<br \/>\n<span style=\"font-weight: bold;\">Music:<\/span> &#8220;Colonel Bogie March&#8221; on Kalox 1112<\/p>\n<p>Download RTF file: <a href=\"http:\/\/dances.callerlab.org\/wp-content\/uploads\/2019\/03\/DoCiDizzy.rtf\">Do Ci Dizzy<\/a><\/p>\n<p><span style=\"text-decoration: underline; font-weight: bold;\">Prompts:<\/span><br \/>\n<span style=\"font-style: italic;\">Intro or<\/span><br \/>\n<span style=\"font-weight: bold; font-style: italic;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; All six circle Left eight steps;<\/span><br \/>\n<span style=\"font-weight: bold;\"> &nbsp; &nbsp; 1-8 &nbsp; &#8211; &#8211; &#8211; -; Circle Right to home;<\/span><br \/>\n<span style=\"font-weight: bold;\"> &nbsp; 9-16 &nbsp; &#8211; &#8211; &#8211; -; DoSaDo the opposite;<\/span><br \/>\n<span style=\"font-weight: bold;\">25-32 &nbsp; &#8211; &#8211; &#8211; -; Left ends DoSaDo;<\/span><\/p>\n<p><span style=\"font-weight: bold;\">33-40 &nbsp; &#8211; &#8211; &#8211; -; Lines of three DoSaDo;<\/span><br \/>\n<span style=\"font-weight: bold;\">41-48 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; &#8211; -;<\/span><br \/>\n<span style=\"font-weight: bold;\">49-56 &nbsp; &#8211; &#8211; &#8211; -; Halfway more and on to the next;<\/span><br \/>\n<span style=\"font-weight: bold;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; All six Circle Left;<\/span><\/p>\n<p><span style=\"text-decoration: underline; font-weight: bold;\">Description:<\/span><br \/>\n<span style=\"font-size: small;\"> &nbsp; &nbsp; <\/span>1-8 &nbsp; The six dancers in the two lines of three join hands and Circle Left for eight steps.<br \/>\n<span style=\"font-size: small;\"> &nbsp; <\/span>9-16 &nbsp; The same six dancers Circle Right back to home position.<br \/>\n17-24 &nbsp; The facing dancers Dosado with each other.<br \/>\n25-32 &nbsp; The dancers on the right end of each line Dosado with each other.<\/p>\n<p>33-40 &nbsp; The dancers on the left end of each line Dosado with each other.<br \/>\n41-56 &nbsp; The dancers in each line of three hoot adjacent elbows with each other and the entire line of three Dosado the opposite line of three.<br \/>\n57-64 &nbsp; Continue the Dosado until the lines of three are back-to-back once more and then move on to the next line of three.<\/p>\n<p><span style=\"font-weight: bold;\">Choreography by:<\/span> Bob Howell, Ohio<br \/>\n<span style=\"font-weight: bold;\">Source:<\/span> Printed in <span style=\"font-style: italic;\">CDP Journal<\/span>, January 1994 and in <span style=\"font-style: italic;\">Dancing For Busy People<\/span>, page 212<br \/>\n<span style=\"font-weight: bold;\">Usage:<\/span> The three person DoSaDo as a bunch is a real crowd pleaser. This dance is a good example of how people can be entertained with a very few basic moves. In fact the entire dance uses only two calls.<\/p>\n<h3>Triplet Version of Do-Ci-Dizzy<\/h3>\n<p><span style=\"text-decoration: underline; font-weight: bold;\"><span style=\"text-decoration: underline;\">Prompts:<\/span><\/span><br \/>\n<span style=\"font-style: italic;\">Intro or<\/span><br \/>\n<span style=\"font-weight: bold; font-style: italic;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; All six circle Left eight steps;<\/span><br \/>\n<span style=\"font-weight: bold;\"> &nbsp; &nbsp; 1-8 &nbsp; &#8211; &#8211; &#8211; -; Circle Right to home;<\/span><br \/>\n<span style=\"font-weight: bold;\"> &nbsp; 9-16 &nbsp; &#8211; &#8211; &#8211; -; DoSaDo the opposite;<\/span><br \/>\n<span style=\"font-weight: bold;\">17-24 &nbsp; &#8211; &#8211; &#8211; -; Right ends DoSaDo;<\/span><br \/>\n<span style=\"font-weight: bold;\">25-32 &nbsp; &#8211; &#8211; &#8211; -; Left ends DoSaDo;<\/span><\/p>\n<p><span style=\"font-weight: bold;\">33-40 &nbsp; &#8211; &#8211; &#8211; -; Lines of three DoSaDo;<\/span><br \/>\n<span style=\"font-weight: bold;\">41-48 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; &#8211; -; <\/span><br \/>\n<span style=\"font-weight: bold;\">49-56 &nbsp; &#8211; &#8211; &#8211; -; Halfway more and U-Turn Back;<\/span><br \/>\n<span style=\"font-weight: bold;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; All six Circle Left;<\/span><\/p>\n<p>This page from <a href=\"http:\/\/dances.callerlab.org\/\">http:\/\/dances.callerlab.org<\/a>  (CALLERLAB Dance Resource).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This dance by Bob Howell is for facing trios or triplets.  It uses &#8220;right ends Dosado, left ends Dosado, and lines of 3 Dosado&#8221;.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,10,13,36],"tags":[15,24,43,34],"class_list":["post-460","post","type-post","status-publish","format-standard","hentry","category-contras","category-trios","category-trios-facing","category-triplet","tag-64-count","tag-bdp","tag-dosado","tag-genderless"],"_links":{"self":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=460"}],"version-history":[{"count":10,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/460\/revisions"}],"predecessor-version":[{"id":2433,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/460\/revisions\/2433"}],"wp:attachment":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}