{"id":468,"date":"2015-03-24T19:15:33","date_gmt":"2015-03-24T19:15:33","guid":{"rendered":"http:\/\/dances.callerlab.org\/?p=468"},"modified":"2021-02-15T22:29:47","modified_gmt":"2021-02-15T22:29:47","slug":"468","status":"publish","type":"post","link":"https:\/\/dances.callerlab.org\/?p=468","title":{"rendered":"Triolet"},"content":{"rendered":"<p><span style=\"font-weight: bold;\">Formation:<\/span> Threes facing threes in wagon spoke formation around the hall<br \/>\n<span style=\"font-weight: bold;\">Music:<\/span> &#8220;Triolet&#8221; on Lloyd Shaw E-38-A<\/p>\n<p>Download RTF file: <a href=\"http:\/\/dances.callerlab.org\/wp-content\/uploads\/2019\/03\/Triolet.rtf\">Triolet<\/a><\/p>\n<p><span style=\"text-decoration: underline; font-weight: bold;\">Prompts:<\/span><br \/>\n<span style=\"font-style: italic;\">Intro or<\/span><br \/>\n<span style=\"font-weight: bold; font-style: italic;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; Circle Six to the Left;<\/span><br \/>\n<span style=\"font-weight: bold;\"> &nbsp; &nbsp; 1-8 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; &#8211; -;<\/span><br \/>\n<span style=\"font-weight: bold;\"> &nbsp; 9-16 &nbsp; &#8211; &#8211; &#8211; -; Circle Six to the Right;<\/span><br \/>\n<span style=\"font-weight: bold;\">17-24 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; &#8211; -;<\/span><br \/>\n<span style=\"font-weight: bold;\">25-32 &nbsp; &#8211; &#8211; &#8211; -; Centers right and right opposite left;<\/span><\/p>\n<p><span style=\"font-weight: bold;\">33-40 &nbsp; &#8211; &#8211; &#8211; -; Centers right and left opposite left;<\/span><br \/>\n<span style=\"font-weight: bold;\">41-48 &nbsp; &#8211; &#8211; &#8211; -; Back to your lines, Forward and Back;<\/span><br \/>\n<span style=\"font-weight: bold;\">49-56 &nbsp; &#8211; &#8211; &#8211; -; Face Right and Promenade;<\/span><br \/>\n<span style=\"font-weight: bold;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; Face Right and Circle Six to the left;<\/span><\/p>\n<p><span style=\"text-decoration: underline; font-weight: bold;\">Description:<\/span><br \/>\n<span style=\"font-size: small;\"> &nbsp; <\/span>1-16 &nbsp; Trios join hands in a circle with the trio they are facing and circle left 16 steps.<br \/>\n17-32 &nbsp; The same six dancers circle right for 16 steps back to the original location.<\/p>\n<p>33-40 &nbsp; Center dancers are facing three dancers in the opposite line. From the point of view of the center dancer looking across from left to right there is the left opposite dancer, the center opposite dancer, and the right opposite dancer. The two center dancers turn each other with right arms (pigeon-wing hand hold is recommended) just far enough to reach their right opposite dancer with the left arm. The centers turn their right opposite dancer with the left arm once around and come back into the center.<br \/>\n41-48 &nbsp; The centers turn each other by the right just far enough to reach the left opposite dancer with the left arm. The centers turn their left opposite dancer with the left arm once around and come back into the center and cross into their original location.<br \/>\n49-56 &nbsp; All dance forward and back in eight steps.<br \/>\n57-64 &nbsp; Dancers individually face to their right and Promenade Single File counterclockwise around the opposite trio and then individually turn right 1\/4 to face the next line of three coming around the big circle. During this process the ends of each line will have exchanged places.<\/p>\n<p><span style=\"font-weight: bold;\">Choreography by:<\/span> (unknown)<br \/>\n<span style=\"font-weight: bold;\">Source:<\/span> Printed in <span style=\"font-style: italic;\">CDP Journal<\/span>, February 1999<br \/>\n<span style=\"font-weight: bold;\">Usage:<\/span> This dance is German in origin and uses a figure that experienced contra dancers will recognize as Turning Contra Corners. It can be prompted as a series of arm turns, but it is still a bit challenging to master. This dance is best reserved for those with some dance experience.<\/p>\n<p>This page from <a href=\"http:\/\/dances.callerlab.org\/\">http:\/\/dances.callerlab.org<\/a>  (CALLERLAB Dance Resource).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This dance is German in origin and the figure is known to contra dancers as turning contra corners.   It is best reserved for dancers with some experience.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,13],"tags":[15,34],"class_list":["post-468","post","type-post","status-publish","format-standard","hentry","category-trios","category-trios-facing","tag-64-count","tag-genderless"],"_links":{"self":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=468"}],"version-history":[{"count":10,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/468\/revisions"}],"predecessor-version":[{"id":2436,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/468\/revisions\/2436"}],"wp:attachment":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}