{"id":839,"date":"2018-03-01T17:03:10","date_gmt":"2018-03-01T17:03:10","guid":{"rendered":"http:\/\/dances.callerlab.org\/?p=839"},"modified":"2021-02-16T20:18:13","modified_gmt":"2021-02-16T20:18:13","slug":"jefferson-revisited","status":"publish","type":"post","link":"https:\/\/dances.callerlab.org\/?p=839","title":{"rendered":"Jefferson Revisited"},"content":{"rendered":"<p><span style=\"font-weight: bold;\">Formation:<\/span> Contra lines with 1, 3, 5 etc. active and crossed over and facing the foot of the set.<br \/>\nOthers inactive and facing the head of the set.  An extra couple at the foot should also be facing<br \/>\nthe head of the set.  All couples should have the ladies on the gent&#8217;s right side.<br \/>\n<span style=\"font-weight: bold;\">Music:<\/span>  Any well-phrased 64-count jig or reel.<\/pre>\n<p>Download RTF file: <a href=\"http:\/\/dances.callerlab.org\/wp-content\/uploads\/2018\/03\/JeffersonRevisited-1.rtf\">Jefferson Revisited<\/a><\/p>\n<p><span style=\"text-decoration: underline; font-weight: bold;\">Prompts:<\/span><br \/>\n<span style=\"font-style: italic;\">Intro or<\/span><br \/>\n<span style=\"font-weight: bold; font-style: italic;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Circle Left;<\/span><br \/>\n<span style=\"font-weight: bold;\">&nbsp; &nbsp; 1-8 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Circle Right;<\/span><br \/>\n<span style=\"font-weight: bold;\">&nbsp; 9-16 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Right-hand Star;<\/span><br \/>\n<span style=\"font-weight: bold;\">17-24 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Left-hand Star;<\/span><br \/>\n<span style=\"font-weight: bold;\">25-32 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Neighbor Dosado;<\/span><\/p>\n<p><span style=\"font-weight: bold;\">33-40 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Same two Swing;<\/span><br \/>\n<span style=\"font-weight: bold;\">41-48 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Down in Four;<\/span><br \/>\n<span style=\"font-weight: bold;\">49-56 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Turn Alone;<\/span><br \/>\n<span style=\"font-weight: bold;\">57-64 &nbsp; Come back, Centers Arch; Outsides through, Circle Left;<\/span><\/p>\n<p><span style=\"text-decoration: underline; font-weight: bold;\">Description:<\/span><br \/>\n&nbsp; &nbsp; 1-8 &nbsp; The dance begins with the active couples facing down the hall (away from the caller) and the inactive couples facing up the hall.  Each group of four facing dancers Circle to the Left for 8 steps.<br \/>\n&nbsp; 9-16 &nbsp; Same four dancers Circle Right back to their original facing positions.<br \/>\n17-24 &nbsp; Same four dancers make a Right-hand Star and turn it for 8 beats.<br \/>\n25-32 &nbsp; Same four turn around and Star Left back to their original position facing up or down the set. <\/p>\n<p>33-40 &nbsp; Facing dancers Dosado (pass right shoulders, slide back-to-back, then back up passing left shoulders to end facing again).<br \/>\n41-48 &nbsp; Same two dancers Swing ending with the lady on the right side of the gent and all facing down the hall (away from the caller).<br \/>\n49-56 &nbsp; The line of four walks down the set 6 short steps, then dancers turn alone on beats 7 and 8 to face back up the hall.<br \/>\n57-64 &nbsp; The line walks up the hall in 4 big steps then the Center two dancers raise their joined hands to make an arch in the center.  The dancers on the end of the line walk forward and around under the arch releasing handholds and then move forward to face a new couple.  <\/p>\n<p><span style=\"font-weight: bold;\">Progression:<\/span>  When a couple has no one to dance with they are neutral for one sequence. During this time they turn around as a couple (or individually if dancing as a Proper Duple) and change their role &#8212; at the top Inactives become Active, at the bottom Actives become Inactive.<\/p>\n<p><span style=\"font-weight: bold;\">Choreography by:<\/span> Bob Dalsemer<br \/>\n<span style=\"font-weight: bold;\">Source:<\/span>  Used by Eldon Cooper at NTOT dance in Nova Scotia about 2008. Also as seen on You-Tube at a 2011 youth dance.<\/p>\n<h3>Jefferson Revisited Variation<\/h3>\n<p><span style=\"font-weight: bold;\">Variation:<\/span>  For groups that need more time to change from one action to the next, omit the Dosado and use the following for the second half:<\/p>\n<p><span style=\"text-decoration: underline; font-weight: bold;\">Prompts:<\/span><br \/>\n<span style=\"font-style: italic;\">Intro or<\/span><br \/>\n<span style=\"font-weight: bold; font-style: italic;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Circle Left;<\/span><br \/>\n<span style=\"font-weight: bold;\">&nbsp; &nbsp; 1-8 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Circle Right;<\/span><br \/>\n<span style=\"font-weight: bold;\">&nbsp; 9-16 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Right-hand Star;<\/span><br \/>\n<span style=\"font-weight: bold;\">17-24 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Left-hand Star;<\/span><br \/>\n<span style=\"font-weight: bold;\">25-32 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Neighbor Swing;<\/span><\/p>\n<p><span style=\"font-weight: bold;\">33-40 &nbsp; &#8211; &#8211; &#8211; -; Put her on the right, four in line go down;<\/span><br \/>\n<span style=\"font-weight: bold;\">41-48 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Turn Alone;<\/span><br \/>\n<span style=\"font-weight: bold;\">49-56 &nbsp; Come back- -; Centers Arch and Outsides through;<\/span><br \/>\n<span style=\"font-weight: bold;\">57-64 &nbsp; &#8211; &#8211; &#8211; -; &#8211; &#8211; Circle Left;<\/span><\/p>\n<p>This page from <a href=\"http:\/\/dances.callerlab.org\/\">http:\/\/dances.callerlab.org<\/a>  (CALLERLAB Dance Resource)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is Bob Dalsemer&#8217;s variation on the original Jefferson and Liberty dance. It includes Dosado and Swing. <\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,9],"tags":[15,43,50],"class_list":["post-839","post","type-post","status-publish","format-standard","hentry","category-alternate-duple","category-contras","tag-64-count","tag-dosado","tag-swing"],"_links":{"self":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=839"}],"version-history":[{"count":12,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/839\/revisions"}],"predecessor-version":[{"id":2515,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=\/wp\/v2\/posts\/839\/revisions\/2515"}],"wp:attachment":[{"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=839"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=839"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dances.callerlab.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}